Monday, February 15, 2016

Diving Deep for Sea Shells [Book Trailer]

Dear Fans and Readers,
Please enjoy and share to help spread the word.

Thank You!
Edgar & Stella



Saturday, August 15, 2015

Diving Deep for Sea Shells [2nd Edition] now available from LitFire


Diving Deep for Sea Shells is now available in paperback from Amazon

We are happy to have a new cover with photo by Phil Fewsmith.

Soon it will be available as an ebook and from other retailers, we will post the updates here.

Like Stella on Facebook

Synopsis:

Stella Castellucci tells the story of her remarkable life in music. Born in Los Angeles in 1930 to musician father Louis Castellucci, Stella would go on to continue and further his legacy. Stella joined Peggy Lee's touring jazz group in 1953. They would form a close friendship that would endure past Peggy's life. Stella witnessed and took part in a very creative time for Peggy Lee in the 1950's. They would closely collaborate on the 1958 Decca release Sea Shells. Stella would also appear on the Peggy Lee albums: Songs in an Intimate Style (Decca, 1954), Black Coffee (Decca, 1956), Dream Street (Decca, 1957), The Man I Love (Capitol, 1957), Jump for Joy (Capitol, 1958), Pretty Eyes (Capitol, 1960) and Christmas Carousel (Capitol, 1960). Learn the story behind the making of these and other classic recordings, including the Ella Fitzgerald and Louis Armstrong album Porgy & Bess. Stella remains a devoted friend to her "Big Sister" Peggy, even appearing for Lee's 92nd birthday celebrations in North Dakota. This book was created through extensive email exchanges, phone conversations and visits between Stella and Edgar. We hope that the love and joy in writing it carries over to our readers. Fans of Jazz, Peggy Lee, harp music and the album Sea Shells are sure to enjoy the look back.

Sunday, December 14, 2014

Excerpt from Diving Deep for Sea Shells: Peggy Lee at Hollywood Bowl - September 5, 1953

We played the Hollywood Bowl Saturday Night “Pops” program on September 5, 1953. Peg was soloist and the first “nightclub singer” to appear at the Bowl. Hollywood Bowl Magazine described Peg as thus: “Miss Lee possesses a smooth, sleek prettiness, and in person she offers one of the warmest show personalities in the entertainment field, plus a voice that is exquisite in tone and quality.”

Peg was nervous during rehearsals with the prospect of performing with the Los Angeles Philharmonic. The Los Angeles Philharmonic was comprised of 97 musicians. This was the closing concert of their 32nd season. The season had begun in June. There we were, Peg and her quintet on front stage center with the orchestra in place behind us.

This concert was so precious to me. It is the most meaningful event of my career. Daddy was bass trombone player in the Los Angeles Philharmonic. He was seated behind us with the orchestra. He was in the brass section near the back of the Hollywood Bowl’s shell. That was his tenth year with them. What a privileged experience to be on the same stage with him. Daddy in a symphonic orchestra and me in Peggy Lee’s jazz group!

Although I was nervous, I was familiar with our part of the program. Peg wore two gowns, one for the first part and another after intermission. The first gown was a white creation of Howard Greer,
with a Spanish mantilla. He designed Shirley Temple’s wedding gown in 1945. Greer also designed a coral flame-colored chiffon gown for the second part. Peg later gave me both gowns. I would wear them on stage with her. I had a collection. I later gave them back to Nicki and her daughter, Holly. Some of them were used for a collection requested by a museum. Peg didn’t require me to wear black as she did her male musicians. She preferred them in black suits.

Peg asked her friend Victor Young to conduct the concert. He was better known for film scores. He worked and wrote a lot with Peg. He composed a piece for the orchestra entitled “New York City Ghost.” This stunning piece contained a narration on which Mr. Young and Peg collaborated. This “mood poem” was never recorded by Peg. An instrumental version was recorded by a jazz group consisting of: Herbie Harper (Trombone), Bud Shank (Tenor and Baritone Saxophone), Harry Babasin (Bass), Marty Paich (Piano) and Roy Harte (Drums). I worked with Bud Shank many times on sessions and concerts. He was a superior musician, as was Marty Paich. I have completely forgotten the music and narration. The other songs we played were: “Just One of Those Things,” “My Heart Belongs to Daddy,” “Golden Earrings,” “MaƱana,” “Too Marvelous for Words,” “Legend of The Well,” and “Lover.”


Friday, August 29, 2014

Dominic Joseph “Don” DeLellis

Uncle Don in Military School

Stella's Uncle Don was was born on October 12, 1909. He was also her Godfather. They shared a close bond until his death in January of 1958. We were not able to get his photo in Diving Deep for Sea Shells. We share it here for the moment. In future editions we will correct this.

Thursday, August 28, 2014

Book Selfies

pictured: Edwina

Diving Deep for Sea Shells is making its way into hearts and homes all over the world. Send us your photo with it. Thank you to everyone who is already reading!

Wednesday, August 20, 2014

Website Redesign

This website is under construction.

We look forward to sharing information and updates about Diving Deep for Sea Shells and exclusive content.

If you have already read Diving Deep for Sea Shells please let us know what you think in the comments.

Wednesday, August 6, 2014

Ebooks

Diving Deep for Sea Shells is now available for:

Amazon Kindle
Kobo
NOOK (Barnes & Noble)

You can also find it at many other retailers that sell ebooks.